The short version: The smooth band between the last song and the label is called the dead wax or runout, and it carries the record's paperwork: a matrix number for each side, cut numbers, stamper codes, plant marks and often the initials of the engineer who cut it.100 Read the right way, those scratches can tell you which factory pressed your copy and which lacquer it came from, but no single mark proves a first pressing on its own.100101 And every so often there is a joke in there too.102
What is the dead wax, and why is anything written there?#
The matrix number is a code, letters and numbers and sometimes symbols, stamped or handwritten in the runout groove area, which also goes by dead wax, end-groove area or matrix area.100 It exists for the factory: per Wikipedia, its main job is to file the stamper and make sure each side gets the right label, and collectors borrowed it later to tell editions apart.100 Around that core number you can find a cut or take number, plant codes or logos, the cutting engineer's initials or signature, and sometimes dates.100
Do not confuse it with the catalog number, the bigger number that is usually the same on both labels. Matrix numbers differ side to side, and some labels print them upside down to avoid exactly that confusion.100
There is a geography to it. One UK guide puts the lacquer number normally at 6 o'clock, with matrix and stamper information 90 degrees away at 9, 12 or 3 o'clock.103 The same guide gives a useful tactile tip: stamper codes are embossed, standing proud of the surface, while lacquer and mother codes are carved in.103 A researcher of one jazz label's runouts adds that the style of the stamps tracks the plating plant and era, not the cutting room.104
The habit is old. Before about 1950, records were cut direct to disc and take numbers were inscribed in the matrix area; on Victor records the take number sits at "9 o'clock".100 In the 1950s, one engineer recalls, every cutter at Fine Sound had a personal "maker's mark" that he inscribed, and dedicated mastering houses later stamped their own imprints.105
What do A1, B1, -1A and RE actually mean?#
The number after the dash is usually the cut. Per Wikipedia, a suffix such as 12345-3 marks the third cut of that side, and an album numbered X-1234 might carry X-1234-B7 in the runout, the 7 being the cut number.100 Records get recut for ordinary reasons: stampers wear out or get damaged, a test pressing is rejected, a fault turns up in the banding, another plant or country cuts its own masters, or a reissue gets a new number.100 Sometimes the old cut is reused with the new number added and the old one scratched out.100
Vinyl Me, Please says a "-1A" suffix "typically" indicates a first pressing of side A, and "RE" a repressing.106 A UK shop blog lists "A1 B1" (also written A//1 B//1 or A-1 B-1) as a common first-press code.107 Both are good starting points. Neither is a rule, and the best evidence for that comes from inside a major label.
A former Columbia cutting engineer, Phil Brown, told AnalogPlanet that an initial lacquer order was six sets: 1A and 1B went to the Pitman plant, 1C and 1D to Terre Haute, 1E and 1F to Santa Maria.101 All six are first cuttings, the article concludes, so the common belief that A came first, B second and C third is wrong.101 Another source quoted there says each plant got two sets because lacquers could be lost in plating; Brown says a change of program moved the number to -2, then -3; and the author suggests that if the first lacquer was ruined, the next cut could be 2A and be treated as the first.101
Wikipedia adds two more cautions: a cut 1 may have been rejected, and reissues often restart at 1.100 A "-RE" suffix also does not necessarily mean the non-RE version was ever sold to the public.100 Letters can mean people, too. In a lacquer number such as "AM 438-1", a letter suffix like -1R can identify the mastering engineer at that firm.103
Runout decoder
130 markings from the dead wax
Search the letters, numbers, initials and symbols scratched or stamped between the last song and the label. Every row links to its source; plants and engineers varied their habits over the years, so a marking is a clue, not proof.
| In the dead wax | What it means | Kind |
|---|---|---|
| "Mastered by MasterDisc" stamp | Masterdisk, New York, a variant imprint of the house name. source | Mastering house |
| ####-AO | Discos CBS, Madrid. source | Pressing plant |
| (SP) or SP plant code on the center label | Specialty Records Corporation; a -SP matrix suffix alone does not prove a Specialty pressing. source | Pressing plant |
| -#####- (four or five digits in hyphens) | Pallas, Diepholz, Germany. source | Pressing plant |
| -1A | Typically a first pressing, side A, per Vinyl Me, Please; not proof on its own. source | Code |
| 0 (stamped or etched) | Capitol's Jacksonville, Illinois plant. source | Pressing plant |
| 1A to 1F (Columbia) | Six first-cut lacquer sets, two each for Pitman, Terre Haute and Santa Maria; A is not earlier than F. source | Code |
| 1Y//1 2Y//1 | Often an early pressing, per a UK shop blog. source | Code |
| 3-digit date + F-#### e.g. 107 F-2654 = July 1991 | Sonopress, Gütersloh, Germany; the first three digits are a date. source | Pressing plant |
| 380 | Lacquer cut by Philips in France. source | Mastering house |
| 5 + "Nashville Matrix" | Southern Plastics, Nashville. source | Pressing plant |
| 710 | Musikkindustri, Oslo. source | Pressing plant |
| =1 (inverted 1) and ▽ | Optimal Media, Röbel, Germany. source | Pressing plant |
| A (Decca example) | Guy Fletcher, shown by an engineer letter suffix in a Decca example. source | Engineer |
| A1 B1 (also A//1 B//1, A-1 B-1) | Often a first-press code, per a UK shop blog; not proof on its own. source | Code |
| AB (hand-etched near 12 o'clock) | Abbey Manufacturing, East Newark, New Jersey. source | Pressing plant |
| ALCO (A, L, C inside an O) | Alco Research and Engineering, Los Angeles. source | Pressing plant |
| AT/GP | George Piros at Atlantic Studios, New York (a reader correction adopted by the collector who lists it). source | Engineer |
| AZ | Allen Zentz Mastering. source | Mastering house |
| Bestway | Bestway Products, Mountainside, New Jersey. source | Pressing plant |
| BG | Bernie Grundman, mastering engineer. source | Engineer |
| Bilbo / "Bilbo Ta1pe" variants | Denis Blackham, cutting engineer. source | Engineer |
| Bird wings (sometimes a small flower) | Brian Gardner at Allen Zentz Mastering. source | Engineer |
| BK | Bill Kipper, mastering engineer. source | Engineer |
| BLAIR, BLAIR'S, BL△IR | Chris Blair at Abbey Road. source | Engineer |
| Block S (faint) | MGM's Bloomfield, New Jersey plant. source | Pressing plant |
| Boppin' Bob | John Robert Jones, at Decca and then Discos Columbia in Madrid, 1968-1975. source | Engineer |
| CALL THE COPS | Happy Mondays, Pills 'n' Thrills and Bellyaches, on most US CDs. source | Message |
| CB | Chris Bellman; the mark is tiny and easy to misread. source | Engineer |
| cg / C.G. | Chris Gehringer at Frankford/Wayne. source | Engineer |
| CGD triangle logo | CGD, Milan. source | Pressing plant |
| Contest message with phone number | Elvis Costello, This Year's Model, UK (1978). source | Message |
| Cookie | Ian Cooper, at Pye and Utopia and later an independent DMM room. source | Engineer |
| CSB, C.B. | Carlton Batts at Frankford/Wayne (1984-1993). source | Engineer |
| CT, CTH | Columbia's Terre Haute, Indiana plant. source | Pressing plant |
| Dash number (e.g. -1, -2, -3) e.g. X-1234-B7 = cut 7 | Which cut of that side; a new mix or take moves it up. source | Code |
| DM | Columbia's Don Mills, Ontario plant. source | Pressing plant |
| DMM | Direct Metal Mastering: cut into a copper-plated master instead of a lacquer. source | Format/process |
| Do What Thou Wilt Shall Be The Whole Of The Law | On some copies of Led Zeppelin's "Immigrant Song" single; believed requested by the band. source | Message |
| E A S T embossed round center hole | Specialty Records Corporation, from 1979; a lone "A" there means Allied instead. source | Pressing plant |
| Embossed vs carved code | Raised (embossed) codes come from the stamper; carved ones from the lacquer or mother. source | Code |
| Eyebrows | David Turner, cutting engineer. source | Engineer |
| f (at right) | Sam Feldman at Bell Sound, per one collector's photo caption. source | Engineer |
| Five- or six-point star | Capitol's Los Angeles plant. source | Pressing plant |
| G-code at 3 o'clock, mother number at 9 e.g. GG = 11th stamper | EMI Hayes, UK; the stamper letters use the GRAMOPHLTD cipher (G=1 ... D=0). source | Code |
| GC / STERLING GC e.g. STERLING GC | Greg Calbi, mastering engineer. source | Engineer |
| GK | Gilbert Kong at Masterdisk. source | Engineer |
| Goodbye Waterface | Neil Young, Tonight's the Night. source | Message |
| GP | Listed by one collector as George Peckham; the same collector later read AT/GP as George Piros, so check the context. source | Engineer |
| GV, G.S.V. | Greg Vaughn at Frankford/Wayne. source | Engineer |
| H (stamped) | RCA's Hollywood, California plant. source | Pressing plant |
| HTM e.g. Revolver; The Dark Side of the Moon | Harry T. Moss at EMI and Abbey Road. source | Engineer |
| HW | Howie Weinberg at Masterdisk. source | Engineer |
| I (stamped) | RCA's Indianapolis, Indiana plant. source | Pressing plant |
| IAM in a triangle | Capitol's Scranton, Pennsylvania plant, about 1963-1973; IAM is the International Association of Machinists, the union. source | Pressing plant |
| IFPI + four or five characters (CDs) | Mould SID, added at pressing. source | Code |
| JJ | John Johnson, Fine Recording era. source | Engineer |
| JMS, MJS, MS | Michael Sarsfield at Frankford/Wayne. source | Engineer |
| K-### | Allied Record Company, Los Angeles, per one source; another describes Allied's mark as a Q-shaped stamp. source | Pressing plant |
| KG | Kevin Gray, mastering engineer. source | Engineer |
| KT at 12 o'clock | A Gramophone Co. tax code. source | Code |
| L-prefixed code (CDs) | Mastering SID, added at glass mastering. source | Code |
| Label messages on every release | Third Man Records puts runout messages on all its releases. source | Message |
| Label plant numbers 56 / 73 / 25 (1979) | Columbia Pitman / Terre Haute / Santa Maria, printed on the label. source | Pressing plant |
| LC + four or five digits | A GVL label code, not a matrix or catalog number. source | Code |
| Letter after cut number (e.g. -1R) e.g. AM 438-1R | Identifies the mastering engineer at that firm. source | Code |
| Letters at 3 o'clock (BUCKINGHAM cipher) e.g. NN = 66th stamper | Decca UK stamper number, coded B=1, U=2 ... M=0. source | Code |
| LH | Lee Hulko, co-founder of Sterling Sound. source | Engineer |
| LP + date e.g. LP 910207 | Ljudpress, Östersund, Sweden. source | Pressing plant |
| LW | Capitol Los Angeles on Warner Bros. releases. source | Pressing plant |
| M3 + six digits | Pathé Marconi, Chatou, France; 3 marks a 7-inch and 1 a 12-inch. source | Pressing plant |
| Manufactured In Germany (stamped) | Teldec-Press, Nortorf, Germany. source | Pressing plant |
| MASTERDISK (stamped) | Masterdisk, New York (name since 1973, formerly Mercury Records Mastering); lacquer cut there. source | Mastering house |
| MASTERING BY FRANKFORD/WAYNE NEW YORK, F/W + apple | Frankford/Wayne Mastering Labs, New York (1973 to April 2008); the apple can look like "C5". source | Mastering house |
| Matrix at 12, stamper at 3, mother letter at 9 | CBS Aston Clinton (Aylesbury, UK) layout. source | Code |
| MATT'S | Matt Colton, who has cut at Porky's, Alchemy and AIR. source | Engineer |
| MILES | Miles Showell, cutting engineer. source | Engineer |
| MP / MPO | MPO, France. source | Pressing plant |
| MR in a circle (stamped, sometimes reversed; etched after 1985) | Monarch Record Mfg. Co., Los Angeles. source | Pressing plant |
| OI_7261_IA_I | CBS Haarlem, Netherlands (1977-1987) matrix style. source | Pressing plant |
| Orlake / OR / O | Orlake Records, Dagenham, UK (early 1970s). source | Pressing plant |
| P (small, faint, stamped) / CP / CP-1, CP-2 | Columbia's Pitman, New Jersey plant. source | Pressing plant |
| P + number (e.g. P13, P17) e.g. P13 | George Piros at Fine Recording; the number names a specific lathe and cutter-head combination. source | Engineer |
| P USA | Pallas (Germany) pressing for US export. source | Pressing plant |
| Pecko Duck, Delta Pork, Pecko's Delta, Porky Pecko | Variant signatures of George Peckham. source | Engineer |
| Porky / A Porky Prime Cut e.g. A Porky Prime Cut | George Peckham, a UK cutting engineer who began at Apple in London in 1968. source | Engineer |
| PR / PRC | PRC, Richmond, Indiana. source | Pressing plant |
| Q-shaped stamp | Allied Records, Hollywood, per one collector; another source lists Allied as K-###. source | Pressing plant |
| R (stamped) | RCA's Rockaway, New Jersey plant. source | Pressing plant |
| Raised Roman I | First take of the recording (Decca example). source | Code |
| RCE, R.C.E., RE (Frankford/Wayne) | Rick Essig at Frankford/Wayne. source | Engineer |
| RE | A repressing, per this guide. RE can also be initials, such as Rick Essig at Frankford/Wayne (listed separately), so read it in context. source | Code |
| Recorded at Home (ornate) | Emitt Rhodes, Emitt Rhodes. source | Message |
| Rifle / arrow / "wine glass" (·─◁, ---<) | Capitol's Winchester, Virginia plant. source | Pressing plant |
| RJ | Ray Janos, mastering engineer. source | Engineer |
| RKS | Ryan K. Smith at Sterling Sound. source | Engineer |
| RL | Robert (Bob) Ludwig, mastering engineer. source | Engineer |
| RVG / VAN GELDER | Rudy Van Gelder, on classic jazz cuts. source | Engineer |
| S, SI, SII, CS, CSM | Columbia's Santa Maria, California plant. source | Pressing plant |
| S-T-E-R-E-O / STEREO stamp | Contemporary Records stereo lacquers, 1958-1961. source | Format/process |
| SH | Scott Hull at Masterdisk. source | Engineer |
| SJR, Stu | Stuart J. Romaine at Frankford/Wayne. source | Engineer |
| SLM (stamp/etch) | Sheffield Lab Matrix; lacquers plated there 1979-1984. source | Pressing plant |
| Small odd Q | Quality Records, Toronto. source | Pressing plant |
| SMK / SMI | Sound Makers, Westville, New Jersey. source | Pressing plant |
| SP | Specialty Records. source | Pressing plant |
| SPAR / SP-AL + B-##### | Plated at Specialty, pressed at Allied. source | Pressing plant |
| SPGER, SPENG, SPAUS, SPCAN, SP-ITA | Plated at Specialty (usually mothers), pressed at a plant in the country named, from the 1980s. source | Pressing plant |
| Square (78 era) | Blumlein moving-coil cutter. source | Format/process |
| SRC logo (large S, small R and C) | Specialty Records Corporation, Olyphant, Pennsylvania. source | Pressing plant |
| SST | Schallplatten Schneid Technik Brüggemann, a German lacquer-cutting house (not a pressing plant). source | Mastering house |
| ST / MO prefix | Stereo / mono (example given for Atlantic), per a shop blog. source | Format/process |
| STERLING (stamped or etched), SS (small) | Sterling Sound, New York mastering house. source | Mastering house |
| STRAWBERRY | Strawberry Mastering, London. source | Mastering house |
| TJ | Ted Jensen at Sterling Sound. source | Engineer |
| TOWNHOUSE | Townhouse Studios, London. source | Mastering house |
| Triangle (78 era) | Western Electric (Westrex) moving-iron cutting system. source | Format/process |
| Two rings with a gauge forming an "A"; drum and two sticks; compass forming "A" | Artisan Sound Recorders, Los Angeles; sources describe its logo in different ways. source | Mastering house |
| U (East German labels, 1980s) | UC noise-reduction encoding, per Wikipedia. source | Format/process |
| U in a circle / URP | United Record Pressing, Nashville. source | Pressing plant |
| Wally | Wally Traugott, mastering engineer. source | Engineer |
| We Love You A.L.K. | U2, Rattle and Hum (1988), for production manager Anne Louise Kelly. source | Message |
| WW | Capitol Winchester on Warner Bros. releases. source | Pressing plant |
| YEX, YAX / XEX | EMI lacquer prefixes: YEX and YAX usually stereo, XEX usually mono, per a shop blog. source | Format/process |
| ¢ (cent sign) | Tom Coyne; the cent sign is a pun on his name. source | Engineer |
| ØPHASE | Ashley Burchett, cutting engineer. source | Engineer |
| △ + five digits (delta number) e.g. △12345 | A job code used by Monarch and other plants; not proof of Monarch by itself. source | Code |
| ◈-P-◈ | MCA's Pinckneyville, Illinois plant. source | Pressing plant |
| ✱ (six-point asterisk) | Audio Services, Wednesbury, UK. source | Pressing plant |
| ⧈-G-⧈ | MCA's Gloversville, New York plant. source | Pressing plant |
How do stamper codes like GRAMOPHLTD and BUCKINGHAM work?#
Two big British companies hid their stamper counts in words. At Decca the code word was BUCKINGHAM: B=1, U=2, C=3, K=4, I=5, N=6, G=7, H=8, A=9, M=0, so "NN" means the 66th stamper.103 EMI's Hayes plant used GRAMOPHLTD: G=1, R=2, A=3, M=4, O=5, P=6, H=7, L=8, T=9, D=0, so "GG" is the 11th stamper.103 A low stamper code means your copy came off early metal, which is as close to "early copy" as the dead wax gets.
| Code word | Company | Letter to digit | Example |
|---|---|---|---|
| BUCKINGHAM | Decca (UK) | B1 U2 C3 K4 I5 N6 G7 H8 A9 M0 | NN = 66th stamper |
| GRAMOPHLTD | EMI Hayes (UK) | G1 R2 A3 M4 O5 P6 H7 L8 T9 D0 | GG = 11th stamper |
Collector Zappa Frenzy's plant table maps the EMI layout: mother number at 9 o'clock, the stamper G-code at 3 o'clock, and a pre-1981 example string "EMI 5499 A-1-1-1-4".108 The Gramophone Co. used the same system with a tax code, "KT", at 12 o'clock.108 CBS at Aston Clinton in the UK put the matrix at 12, the stamper at 3 and the mother letter at 9.108
On EMI records a UK shop blog reads YEX and YAX prefixes as usually stereo and XEX as usually mono, and "1Y//1 2Y//1" as often an early pressing.107
Who signed my record?#
The most famous name in the dead wax belongs to George Peckham, who started cutting at Apple in London in 1968 and signed his work "Porky" or "A Porky Prime Cut".102 He also used "Pecko Duck", "Delta Pork" and similar variations.102 His notes were often funny or cryptic, nodding to the artist or the lyrics, sometimes with a small drawing; Sound & Vision compares the habit to programmers leaving notes in source code.102 Wikipedia credits him with many hidden runout messages and says he may have cut hundreds of thousands of records, mostly UK pressings.100
In the US the marks are usually initials. Collectors and guides read RL as Robert (Bob) Ludwig, BG as Bernie Grundman and KG as Kevin Gray.106109 RVG marks classic jazz cuts by Rudy Van Gelder.110109 At Masterdisk, HW is Howie Weinberg and GK Gilbert Kong; LH is Lee Hulko and TJ Ted Jensen, both at Sterling Sound.111 Wally is Wally Traugott at Capitol.110111
Some are pictures. One collector's list reads bird wings, sometimes replaced by a small flower, as Brian Gardner at Allen Zentz Mastering, and "eyebrows" as David Turner.110 A cent sign is Tom Coyne, a pun on his name.112 In the UK, HTM is Harry T. Moss at EMI and Abbey Road, found on records including Revolver and The Dark Side of the Moon.112
Initials collide, so read them in context. One collector first listed "GP" as Peckham, then adopted a reader's correction that "AT/GP" is George Piros at Atlantic Studios in New York.110 On the ARSC mailing list, an engineer explains that Piros wrote P plus a number, the number naming a specific lathe and cutter-head combination, and another member recalls P13 and P17.105113 And "RE" can be a repress marker or a set of initials, as for Rick Essig at Frankford/Wayne.106114
What do STERLING, IAM and the other plant marks mean?#
Mastering houses often stamped their names. STERLING, stamped or etched, is Sterling Sound in New York.106 A "Mastered by MasterDisc" stamp marks Masterdisk.105 TOWNHOUSE and STRAWBERRY are London rooms.112 Artisan Sound Recorders in Los Angeles used a logo that sources describe differently: Vinyl Me, Please describes a drum with two drumsticks, while one collector blog describes a drafting compass on a record, the compass forming an "A".106110
Pressing plants used letters and symbols. On Capitol records, IAM in a triangle points to the Scranton, Pennsylvania plant, roughly 1963 to 1973; IAM is the International Association of Machinists, the union.106110 A rifle- or arrow-like mark is Capitol's Winchester, Virginia plant, and a five- or six-point star is Capitol Los Angeles.108 Columbia's three US plants show up as P (Pitman, New Jersey), T (Terre Haute, Indiana) and S (Santa Maria, California), with variants.108101 RCA used a stamped H, I or R for Hollywood, Indianapolis and Rockaway.115 MR in a circle marks Monarch in Los Angeles.110108
Not every symbol is a signature. A triangle followed by five digits, the delta number, is a job code used by Monarch and other plants, so it does not prove Monarch by itself.116108 Allied Record Company is listed as "K-###" by one source and as a Q-shaped stamp by another.108110 The decoder lists more than 100 of these marks, and flags where sources disagree.
How do European plants mark their records?#
European plants have their own dialects. Per Zappa Frenzy's table, Optimal Media in Röbel, Germany, uses an inverted 1 and a downward triangle; Pallas in Diepholz puts four or five digits between hyphens; Sonopress in Gütersloh pairs a three-digit date with an F-number, so "107 F-2654" means July 1991.108 CBS in Haarlem, the Netherlands, used strings like "OI_7261_IA_I" from 1977 to 1987, and Ljudpress in Östersund, Sweden, etched LP, sometimes with a date.108 In the UK, a six-point asterisk is Audio Services in Wednesbury.108 Vinyl Me, Please reads "P USA" as Pallas pressing for US export.106
What does DMM mean in the dead wax?#
DMM, Direct Metal Mastering, means the record was cut straight into a copper-plated master rather than a lacquer.54 Per Wikipedia, Teldec and Georg Neumann GmbH developed it, Neumann building the cutters into its VMS80 lathe series, and the idea came from RCA's late-1970s videodisc work.54 The payoff is in the factory: one electroplating stage to make stampers instead of three for lacquer, and in the early 1980s many copies could be pressed from one master without wear-driven recuts.54100 You will see "DMM" on the sleeve or inscribed in the lead-out area.54
The sound is argued about. Wikipedia notes that some listeners describe DMM pressings as harsh or forward in the treble.54
Wikipedia also says only about 30 DMM lathes were made, about 10 were converted to lacquer, and as of 2009 seven publicly usable DMM rooms remained, in Germany, the Netherlands and the Czech Republic; it says the US lost its last in 2005.54 Masterdisk's community-written Discogs profile, however, says the studio began DMM cutting in February 1986 and lists DMM cutting among its services.117 Those two cannot both describe the present, and we have not resolved which is current.
What are the famous runout messages?#
Per Wikipedia, some copies of Led Zeppelin's "Immigrant Song" single carry "Do What Thou Wilt Shall Be The Whole Of The Law", believed to have been requested by the band.100 U2's Rattle and Hum (1988) reads "We Love You A.L.K.", for production manager Anne Louise Kelly.100 Elvis Costello's This Year's Model in the UK (1978) had a contest message with a phone number, and Emitt Rhodes' self-titled album says "Recorded at Home" in ornate lettering.100 The practice survived the format change: most US CDs of Happy Mondays' Pills 'n' Thrills and Bellyaches say "CALL THE COPS".100
Vinyl Me, Please points to "Goodbye Waterface" on Neil Young's Tonight's the Night, and notes that Third Man Records puts messages on every release.106
How do I use all this to identify my pressing?#
- Copy the runout exactly. Discogs asks contributors to enter it verbatim, one string per side, keeping capitalization, single spaces for gaps and strikethrough for crossed-out text.118 Then search Discogs by the full string.109
- Sort raised from carved. Embossed codes come from the stamper; carved ones from the lacquer or mother.103
- Find the plant. A letter or logo usually does it. If there is none, one collector measures the pressing ring on the label, which differs by plant: about 70mm at Specialty, 36mm at Capitol Winchester, a double 35/72mm at Monarch.110
- Look for the lowest cut and stamper numbers. A shop guide suggests the lowest indicators, such as -A, -1 or -1S, as a sign of earlier copies.109 Keep the Columbia caveat in mind: 1A to 1F were all first cuttings sent to different plants.101
- Check the paper too. Label designs date a pressing; a collector cites the Warner Bros. green label of about 1970 to 1973, followed by the "Burbank" palm-tree label of 1973 to 1978.110 A barcode on a 1965 title means a reissue, since barcodes were not widely used before the late 1970s.109
- Cross-check. Discogs has errors, so one collector checks forums and specialist sites as well.110
On CDs the same instinct applies with different codes. Discogs separates the L-prefixed mastering SID, added at glass mastering, from the IFPI mould SID added at pressing, and notes that an "LC" code is a label code, not a matrix or catalog number.118